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Amanda Seyfried Looks Back at ‘Jennifer’s Body’ and Hopes for a Sequel!

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Amanda Seyfried and Megan Fox discussing Jennifer's Body

News Summary

In a recent GQ interview, Amanda Seyfried discussed her experiences with ‘Jennifer’s Body,’ highlighting its initial marketing failures and reflecting on its growth as a feminist cult classic over the years. Seyfried expressed excitement over the possibility of a sequel, emphasizing that both she and Megan Fox are open to revisiting their characters and the film’s themes.

Amanda Seyfried Looks Back at ‘Jennifer’s Body’ and Hopes for a Sequel!

In a delightful recent interview with GQ, Amanda Seyfried, the talented actress best known for her roles in films like “Mean Girls” and “Mamma Mia!”, opened up about her experience working on the 2009 cult classic “Jennifer’s Body.” For many fans of horror and dark comedy, this film has become somewhat of a hidden gem, but Seyfried was quick to reflect on its rough start at the box office.

Marketing Mishaps and First Impressions

Seyfried, now 39, candidly pointed out that the marketing of “Jennifer’s Body” was a serious misstep. She stated frankly, “The marketing sucked, it just did.” Her honest assessment highlights a crucial element of film promotion that many may not consider; if the marketing isn’t right, even the best movie can flop. She explained that the marketing team seemed to have a singular focus on attracting male audiences. This approach misrepresented the film as more of a “gory romp” instead of recognizing its deeper themes and messages.

According to Seyfried, the film’s cast and crew largely share her views on the marketing misadventure, suggesting a collective understanding that the film’s initial reception didn’t truly reflect its quality. It was clear to them that the message and narrative had so much more to offer.

A Feminist Classic in the Making

“Jennifer’s Body” tells the story of Jennifer Check (played by Megan Fox), a high school student who becomes possessed and starts taking out her male classmates. Seyfried plays Needy Lesnicki, Jennifer’s best friend, and she relished the opportunity to portray someone so different from herself. While many think of horror and comedy as two conflicting genres, Seyfried and the team see how well they blended together in this film, making it something really special.

Despite its initial box office struggles, the film has certainly found its audience over the years and gained a reputation as a feminist classic. Viewers who appreciate its bold themes and unique writing have contributed to a dedicated fan base, which Seyfried has noted. Only earlier this month, she told GQ that she feels “Jennifer’s Body” has really “aged well” and has become even more relevant today.

Looking Forward: The Sequel That Fans Want

Perhaps the most exciting part of Seyfried’s interview was her enthusiasm for a potential sequel. “We’re all game” for it, she said, hinting at a collaborative interest from both herself and her co-stars, including Megan Fox. In fact, Fox has also expressed her interest in revisiting the world of “Jennifer’s Body,” either as a sequel or possibly even a TV series.

Diablo Cody, the film’s acclaimed screenwriter, has teased fans by acknowledging that while sequels are often deemed unrealistic for films that initially underperform, the newfound interest in “Jennifer’s Body” might just change that. It opens the door for the possibility of a return to the story, rich with potential. Seyfried humorously mused about how her character, Needy, and Jennifer might evolve in a sequel, raising the anticipation level for fans even further.

A Film That Surprised Everyone

As Seyfried reminisces about the past and contemplates the future of “Jennifer’s Body,” it becomes clear that this film, while initially misunderstood, has cemented itself as an important piece of cinema. It’s an artwork that blends horror, comedy, and an insightful commentary on femininity. Whether or not a sequel happens remains to be seen, but Seyfried’s reflections remind us that sometimes, the true value of a film is realized only in retrospect.

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